11
Aug
Live in Miami 1984: Update No. 3

From the desk of Charlie Hearon, FrequeNC Records:
bo/eric,
ok, i think i’ve officially determined that the bass booster button was pressed when i heard it the first time which was giving it a huge bass / low mids sound that was not cool. so i’m not all the way through but i’m withdrawing
my worries. sounds really great with the stereo flat. it’s a big kick for a “rock” record but i think that’s it’s style. not distracting me at all now. i gotta say i’m really loving it now. so sorry to wig. it’s just ‘cause we’re chasing after ultimate dopeness and the stakes are high. much love and respect. this shit is beautiful.
From the desk of Black Eric Deines:
just got the dezz brezzins. will jam at lunch!! bonnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnner.
From the desk of Henry Bolding White:
Gave it a couple of spins last night. It sounds fine to me! Really warm. The kick does have a lot of presence, but not overly so.
I can’t help but think that because there is no bass guitar, my ears may just focus on it more. Fortunately, Michael sure can use a kick drum. There’s very little waffling about, and it’s consistently musical.
Side note…It is a little nuts that we did this all in one day.
I’d sign off on this in a heartbeat.
-Bo